There are exactly no cars on Hamilton, so at the very be vacationed explore in golf buggies. The remaining effect is that the place is considerably quiet. We stop for a cocktail at top of the hill whereupon a sunset bar is set up every evening so people can enjoy the extraordinary vista and drink in hand or spy on distant islands by way of a telescope which operated by coin. On the island’s main street a group of shops and cafés also restaurants are knock about by the pretty harbour. White weatherboard buildings also sparkling yachts bring to mind us of Californian fishing villages. Each Sunday evening there is a laid-back acoustic show here on the grassy banks, so we settled here with ice-creams to listen for a while.
Along with lavish, large–scale photography, each project features the architect’s trenchant commentary on the architecture, the decoration, and the process. Perceptive essays by design historians Donald Albrecht and Natalie Shivers illuminate Georgis’s relationships with his clients, or “patrons,” and the creation of narratives in his work. Multifaceted and multilayered, just like the work, this inventive volume is a virtuoso tutorial in the world of fabulous.
Sumptuous and scrupulous in equal measure, the work of William T. Georgis is a glamorous blend of high–style architecture and expressive, innovative applications of the traditions of the decorative arts. In the twenty years since he founded his namesake firm, Georgis has created a dazzling portfolio consisting primarily of houses and apartments; other projects include restaurants, commercial interiors, and galleries. Georgis melds elegant architecture, imaginative furniture and fixtures (often custom–designed), and a layered assembly of art and objects with what he terms “a bit of magic.” A thoughtful eclecticism, informed by an extensive knowledge of art, architecture, and the decorative arts, characterizes all his work.
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